Ramon Obusan, Philippine Folkdance, and Me: From the Perspective of a Japanese Dancer Catalogue/Exhibition Marisa Berenson

Marisa Berenson

printmaking has grown phenomenally and Filipino printmakers have represented their country at the big international exhibitions

ikat weaving in Sumba

This book authored by Gerard Lico is doubly coded to encompass both the concepts of projected moving image (palabas) and the exteriority of architecture (panglabas)

Philippine Colonial Photography of the Cordilleras (1860-1930) offers a fascinating visual journey into the rich cultural heritage of the people of the Cordilleras from the mid-nineteenth century to the turn of the twentieth century: their daily lives

Ramon Obusan, Philippine Folkdance, and Me: From the Perspective of a Japanese Dancer Catalogue/Exhibition Marisa BerensonI would not stop dancing till I wore off the skin of my feet. I would dance until all of us fall exhausted, contented and fulfilled. This is what I want to do. This is what I intend to do." RAMON OBUSAN "The engaging portrait of Obusan that Kanami's research drew is the outcome of a long process of learning the master's language, immersing herself in his world, experiencing the hardship and satisfaction of 'becoming Filipino' enough to be accepted