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As Garmey notes in her introduction
The growing population becomes ever more industrious and clever
reflect the many worlds through which he traveled
This important book looks at the range of artwork created before
The events are grand
Picturesque and Sublime: Thomas Cole's Trans-Atlantic Inheritance As Garmey notes in herLandscape art in the early 19th century was guided by two rival concepts: the picturesque, which emphasized touristic pleasures and visual delight, and the sublime, an aesthetic category rooted in notions of fear and danger. British artists including J. M. W. Turner and John Constable raised landscape painting to new heights and their work reached global audiences through the circulation of engravings. Thomas Cole, born in England, emigrated to the
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