The R.J
Film noir has often been invoked to describe the groups cinematic sound, and its even more apt in live performance, where the only colors are black and white, from the vacant stage dcor to the videos occasionally projected behind the band: Shots of moonlight on water, a flurry of snow, a greyscale rose caught aflame, a close-up of the French actress Anna Karina crying in a theatre from Jean-Luc Godards Vivre Se Vie. Such moody accompaniment was always welcome, because it helped bring some distinction to an evening of material that otherwise flowed like a serene river, sometimes to a fault
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Their length, which usually grazes the ankle area, evokes the stylings of chic women from decades gone by and a sartorial sense of nostalgia, the close fit and flash of an ankle, together, a moment of sensuality
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