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Nakagome, Hideki

Tom T

from the atavistic stridencies and iterative beat of Stravinsky in Le Sacre du Printemps. The kind of thing one sees in the Shalako dance must be something like the kind of thing that was revived by the Russian Balletnot brought to the point of refinement to which Diaghilev was able to carry it but, in its color and variety and style, in the thoroughness of the training involved and the scrupulous care for detail, a great deal more accomplished and calculated than one could easily conceive without seeing it