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the natural specimens transforms the cross into a figurative work of art
The matrimony of the minerals and fragment creates a piece that appears to have evolved together over time
11" high x 4" round
18th century Italian station of the cross with a coordinating baroque pearl on calcite crystals in matrix
The angel wing originally came from a church in Liguria
L440 French the natural specimens transforms the18th century Italian gold distressed fragment with geode slices, chalcedony rosettes, crystal quartz points, and kyanite on a hand painted gallery 1 inch canvas. All of the minerals have been gold plated. The canvas is distressed with gold powders used by restorers in Italy in the 18th and 19th century. The powders coordinate with the chalcedony rosettes and fragment piece. These powders are no longer available. The 18th century fragment originally
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