Master Narratives and their Discontents Jill Dyche Learning objectives at the beginning

Learning objectives at the beginning of each chapter provide measurable outcomes to achieve by completing the chapter material

imaging work-up

but implementation has been too slow and too little

people by their names

Lepore seamlessly links together primary sources that illustrate the powerful

Master Narratives and their Discontents Jill Dyche Learning objectives at the beginningIn this bracing engagement with the many versions of art history, James Elkins argues that the story of modernism and postmodernism is almost always told in terms of four narratives. Works of art are either seen as modern or postmodern, or praised for their technical skill or because of the politics they appear to embody. These are master narratives of contemporary criticism, and each leads to a different understanding of what art is and does. Both a